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©
1995 by Art Metrano and Cynthia Lee
ISBN
1-56796-060-X
112 pp., 16 pp. b&w photos
6 x 9, cloth
WRS Publishing
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Twice Blessed
Art Metrano
Laughs the Darkness Away
by Art Metrano with
Cynthia Lee
___________________________
There are few actors who can play both
comedy and tragedy and do them well. Art Metrano rises above
"playing" these emotions. He is telling. his own
heartbreaking and ultimately heartwarming story.
Metrano took a fall from a ladder that
initially left him paralyzed from the neck down. In this
book based on his own widely popular one-man play, Metrano
has assembled a moving and laugh-provoking autobiography
peppered with characters from his past, painting a hilarious
picture of his sturdy knack for surviving the
worst.
The message of courage, overcoming odds,
and finally laughing the darkness away extends beyond
victims of injury or disease to anyone who has suffered
hardship. Twice Blessed is exhilarating, enjoyable and
exhausting, but unforgettable.
Art Metrano has enjoyed a long,
successful career in movies, television and comedy. Perhaps
best known for his portrayal of Lt. Mauser in the hit
Police Academy films, his television credits include,
among many shows, a recurring role on "L.A. Law" as Judge
Fiorello.
Metrano is now involved with supporting
others with spinal cord injuries. He currently performs his
one-man autobiographical play, "Twice Blessed."
To inquire about having Metrano perform
his "Twice Blessed" play for your convention, association or
meeting, call or write:
WRS Speakers
Bureau
P.O. Box 21207
Waco, Texas 76702-1207
Phone: (800) 299-3366
Fax: 817-757-1454
Cynthia Lee is a playwright,
author, filmmaker and a magazine writer based in Los
Angeles. She has had a number of her plays produced in
southern California and on the East Coast. She heads her own
production company in Los Angeles and has written and
directed numerous documentaries, short films, and television
commercials.
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Art Metrano and I are from Brooklyn,
where there remains today something like a brotherhood among
those of us who grew up and went to school together in the
forties and fifties. We reconnect at high school reunions,
weddings, funerals -- that sort of gathering of people who
have forged a common bond. It was the place that formed us,
the place that we left behind to become who we are today,
and yet the place that will always be a part of who we
are.
Like me, Art has a strong sense of his
beginnings. And when it came time for Life to smack him in
the face and leave him for dead, he looked inward (and
backward) at those people and at those places to find the
strength to deal with what had happened to him.
At times in our lives (and we will all
have such times if we live long enough), we must make an
assessment of the ruins of our situation and decide, as Art
did, if we want to continue or to give up and quit. If we do
want to live, then we have to figure out how to do it. If
we're wise and courageous, we learn from the pain. After we
figure out that God won't pull any puppet strings and make
things right for us, we learn those life lessons that we
would never have had an opportunity to learn if it weren't
for the pain. Valuable lessons. Priceless
lessons.
My "moment of truth" was my heart attack.
Your moment of truth will be something else. These very
hardest of life's rows to hoe have a way of calling our
attention to where we've been and where we're going. And
when all is said and done, we know we've come a long way
when we can finally say, "I am a better man because of
it."
No one who knows him would deny that Art
was down and almost out -- for a while. And yet, he has come
back, a long way back -- in his own words, a better man. He
wants us to know him, and he wants to teach us something of
the important things of life -- lessons of hope, lessons of
forgiveness, lessons of love. Way to go, Art!
P.S.: The only thing better than reading
this book is seeing the play by the same name. Readers, if
you ever get a chance to see Art in Twice Blessed, in
New York or Los Angeles or wherever, don't let the
opportunity slip by.
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